Talking about Slow Cinema: TURIN HORSE (Tarr, 2012)

Disclaimer: This is a continuation of a collection of my thoughts for a personal film portfolio; ideas deriving from Ira Jaffe’s Slow Movies (2014): ‘Introduction’ and Ch. 7 ‘Rebellion’s Limits’. In a symposium in 2007 devoted to Béla Tarr’s cinema, David Bordwell stated that “we want a cinema that puts the brakes on, slows things down. What we have to start doing if we want … Continue reading Talking about Slow Cinema: TURIN HORSE (Tarr, 2012)

A REFLECTION: Dead Ringers (Cronenberg, 1989)

Davis’ The Desiring Image interweaves an argument which seeks to broaden the category of queer cinema beyond classifiable gay cinema, and dislodge automatic relations within sex, gender and desire through cinematic form and structure. Notably describing the ‘first generation’ of New Queer Cinema, this view unfolds itself towards the view that desire should be an examination outside the norms of heteronormative cinema. David Cronenberg’s Dead … Continue reading A REFLECTION: Dead Ringers (Cronenberg, 1989)

A REFLECTION: Palindromes (2004, Solondz)

Disclaimer: This is a continuation of a collection of my thoughts for a personal film portfolio; ideas deriving from Gerald Sim, The Subject of Film and Race (2014): Introduction ‘What Is Critical Race Film Studies?’ and Chapter 3 ‘Post-Structuralism and the Neo-Marxian Subject’. In Gerald Sim’s book, he begins his introduction with a primal question that is asked of cinema: “is it racist?”. It is … Continue reading A REFLECTION: Palindromes (2004, Solondz)