THEATRE REVIEW: Heathers the Musical (Sydney Opera House, 2016)

Heathers: The Musical features a great score and talented cast but the flashy direction falters, making it too often vapid.

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“Freak, slut, loser, short bus,” sing the majority of teens in the opening number of Heathers: The Musical, a sharp dark comedy about the effects of teen bullying, suicide, and violence — set to a rock-pop score.

Based on Michael Lehmann’s 1988 film, Heathers: The Musical follows teenager Veronica Sawyer who joins the most popular and feared girl-clique at school: the “Heathers”. Dissatisfied with their selfishness and bullying, Veronica — influenced by the new (and slightly psychotic) boy at school, J.D. — becomes involved in a chain of homicides, which has her questioning the moral line between right and wrong.

While faithful to its source material, Heathers: The Musical lightens up the darkness of the film  – soaking it with bright coloured costumes, enhanced hair and make-up, and a fun upbeat score which contributes to the show’s contagious, sassy energy. Laurence O’Keefe and Kevin Murphy — the team behind Legally Blonde: The Musical — craft a catchy, brassy rock score with bubbly melodies and clever lyrics.

From its snappy number delivered by all three Heathers in “Candy Store”, to Veronica’s belted anthem in “Dead Girl Walking”, O’Keefe and Murphy’s music is an important driver of Veronica’s identity crisis: she oscillates between seeking vengeance and morality.

Read the rest of my review over at Seventh-Row.Com

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